June 16 : Christopher Carter

 

BIOGRAPHY:
Christopher Carter specializes in Composition, Rhetoric, and Literacy studies. His research interests include critical pedagogy, composition in the corporate university, activist rhetoric, and new media theory. In the classroom, he invites students to write hypertexts that analyze relationships among literacy and ideology, technology and social power. He has published articles in *Works and Days* and *Tenured Bosses and Disposable Teachers*, and has an upcoming essay in *House of Mirrors: Revising Our Understanding of Reflective Writing*. He serves as co-editor of *Workplace: A Journal for Academic Labor*, and is currently writing a book about college unions, their language practices, and their implications for literacy instruction.

ABSTRACT:
IIn Computers and Composition Studies, there exists growing concern about relationships between web-based communication and physical bodies. In response to work in the early nineties suggesting that virtual interaction allows temporary respite from racial, gender, and socioeconomic coding, more recent scholarship suggests that historical forms of exclusion and domination thrive in cyberspace. As researchers of activist discourse document such exclusivity within web-supplemented protest movements, they also worry about the potential replacement of face-to-face political actions with disembodied forums that produce extensive debate but little strategy. Yet those who equate online interaction with disembodiment fail to account for the trace of flesh-and-blood materiality within virtual conversation space. Body politics and bodily assumptions tend to linger in discourse whatever its degree of mediation. The lingering body, or what hackers sometimes call “wetware,” lends electronic activism its energy while producing some of its internal dissonance. Based on the subversion of the World Trade Organization website by the hacktivist collective ®tmark, I argue that the potential for activism to influence social change depends less on whether it is embodied performance—which I take as given—and more on its materialist appeal to the classical concept of *kairos*. This appeal simultaneously emphasizes opportune timing and a correspondence between medium and message.